Women’s clothes respected the same code;
unmarried girls would wear costumes with floral motifs and wore their hair in
braids without having to cover their heads. After a woman would get married she
would wear only a simple strip sawn on the sleeve, they were expected to wear a
scarf on their heads or a kerchief with tassels. Women with a higher social or
financial status would saw that strip with beads, while poorer women would only
have a colored one. After the birth of a child, women would give up their costumes
for a sober, white and black costume characteristic to the region they would
live in.
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Different generations wearing the same costumes |
Today the traditional Romanian costume became an
inspiration source to the wholesale fashion production industry designers, both
Romanian and international. Adrian Oianu is a very appreciated Romanian
designer who launched two collections inspired by his native’s country
traditional costumes: “Suflecata pan’ la brau” (“Turned up ‘til the belt”) and
“Bucurie” (“Joy”). Both collection conquered fashion enthusiasts around the
world. Dorin Negrau had as inspiration for his “Lost” collection the
traditional costume from the Bihor region. Other designers influenced by the
Romanian folk costume were Olah Gyarfas, Corina Vladescu and Ingrid Vlasov.
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Philippe Guilet's collection |
French designer, Phillippe Guilet, launced the
collection “Prejudices 100% RO” which focused on the traditional uniforms of
the “Callus” (Calusarii), folk dancers from the south western part of Romania.
Yves Saint Laurent had a collection inspired by the Romanian traditional flax
blouses called “La blouse roumaine”. Other international designers that
included Romanian folk costume elements in their collections were: Tom Ford,
Joseph Altuzzara and the American brand Anthropologie.
Source:
http://artifexlohn.com